
Artist Sabine Cibert was born in 1956 and divides her time between Lyon and the French Alps, as a source for inspiration, shaping her view of landscapes and nature.
Parallel to her career as an architect in city planning, she taught herself to work with textiles for 40 years. Even today, her work on urban networks informs her art.
Sabine Cibert crafts her works entirely by hand, applying the golden ratio to piece together textile squares. She works slowly, in an almost meditative state. Her ensuing, original works feel at once familiar, well-ordered, fine-tuned. Working in series, she develops varying formats that all explore similar colour schemes, or obey similar guiding principles.
She started out making giant compositions in the manner of ancient tapestries and historic paintings, tapping into tradition, using techniques recalling those of the Amish women.
Boasting a seminal quality in terms of material, weave and chromatics, textiles are for Sabine an opportunity to explore what she finds fascinating: colour. Clearly reprising abstract art from the latter half of the 20th century, she makes vivid use of colour to explore contemporary issues related to climate disruption.
In the past five years, Sabine Cibert has also reduced surface area to develop increasingly intimate compositions, while maintaining the same presence. Major themes from her initial, immense works contract into vibrations.
Sabine Cibert is represented by the Showroom Galerie 7 in Lyon and often participates in group exhibitions in France, as well as in mediation projects for a diverse audience.
Since 2004, her work has featured in nine international exhibitions.
Juggling patience and momentum, Sabine Cibert has developed an artistic world that taps into three fundamental sources:

Architecture
The basics of geometry endow her with shaping power and great liberty to explore the vibrations of scale and the relationships between colour and matter.

Landscapes
Working in an environment between the Alps and Lyon she has been nurtured by both nature and urban, geometry and networks.

Artists
Artists Research embarked on at the Bauhaus school weighs in significantly in the initials sparks to her approach.
Since 1983 regular practice of traditional Far East arts| yoga, aikido, aïki taïso, qi gong, t’ai chi ch’uan
2024 Olga de Amaral exhibition | Fondation Cartier | Paris
2022 Vieira da Silva exhibition | museum Cantini | Marseille | France
2019 El Anatsui exhibition | München | Germany
2000 Molas exhibition| museum Bargoin | Clermont-Ferrand | France
1999 Hokusaï exhibition | Milan | Italy
1973 Quilting catalogue of the Lausanne textile art Biennial | Switzerland
1963 Exhibition Le chant du monde | The world song | Jean Lurçat | Château d’Annecy | France
2013 Member of ADAGP, Society of the Authors in the Graphic and Visual Arts
2011 Registration with the Maison des Artistes
1991-2004 Private tutoring, teaching ancient quilting methods
1991-2008 Head of IT method organization for Greater Lyon,
then Project Manager
1983-1991 Conducted urban planning operations for Greater Lyon
1982 Diploma in architecture | Lyon School of Architecture